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Faceted Obsidian Polyhedron Pendant

25,90 €

Faceted obsidian polyhedron pendant, twenty triangular faces on an adjustable black cord. No face parallel to its neighbor, so never the same reflection twice.

Genuine obsidian · Twenty-face icosahedron · Softened edges · Adjustable cord · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

Description

An obsidian polyhedron with twenty triangular faces, hung from a braided black cord. No face is parallel to its neighbor, so the pendant never returns the same reflection twice.

The shape is an icosahedron, one of the five regular solids of Greek geometry: twenty identical equilateral triangles, thirty edges, twelve vertices. On a transparent stone you would choose it for refraction; on a black glass it serves something else. Each facet is a small mirror set at a different angle, and the pendant lights up in separate glints instead of returning a pool of light the way a cabochon does.

It is the least expensive piece in the catalog, and that comes from the cutting and not from the stone. A regular polyhedron is cut on an index machine: you lock the stone, then present the same face to the wheel twenty times, turning it by a fixed angle each time. A cabochon, by contrast, is shaped by hand and calls for an eye on every pass. Same material, ten times less work. The other pendants are here.

The reservation is the edges. Thirty sharp edges on a volcanic glass are thirty places where the stone can chip, and one knock against a belt buckle is enough. The edges are softened by hand before assembly, which protects them without rounding them to the point of losing the drawing, but a polyhedron will always be more fragile than a polished drop. That is the price of the shape.

Crystal lore ties obsidian to grounding, and regular geometry to balance. None of that is proven, and no piece of jewelry heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Genuine black obsidian, cut as an icosahedron with twenty triangular faces.
  • Adjustable braided black cord, no metal clasp.
  • Edges softened by hand: thirty sharp edges would be thirty breaking points.
  • The most affordable pendant in the range, through the cutting and not the stone.

What to know before you wear it

Pendant in obsidian cut as a polyhedron with twenty triangular faces, on a black cordFaceted obsidian polyhedron pendant, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Black obsidian, volcanic glass
Cut
Icosahedron, twenty triangular faces
Dimensions
About 3/4 in (20 mm)
Setting
None, the stone is drilled and knotted
Cord
Braided black cord, adjustable length
Gender
Unisex
Brand
Bijoux Obsidienne

Camille in her workshop, mounting an obsidian pendant on a cord

Twenty faces on a glass that flakes away in shells

Faceting a volcanic glass has nothing to do with faceting a quartz. A crystal splits along its planes and warns you: the break follows a direction. A glass has no plane, it flakes away in shells, in small round scales, and it does so without warning as soon as the wheel heats up or the angle of attack is too abrupt. On twenty faces, one pass pressed too hard is all it takes to lose the whole stone at the nineteenth triangle. That is what explains the reject rate on this kind of cut.

This piece exists because people kept asking me for a low-priced obsidian pendant that was not a badly polished offcut. A geometric shape answers that request well: it is cheap to produce and it has a drawing. The other pendants are here and the obsidian guide explains the material.

A crystal warns before it breaks, it follows its planes. A glass flakes away in shells, announcing nothing.

Obsidian does not mind water, but a polyhedron chips at the edges far more easily than a rounded stone. Take the pendant off before sport and do not wear it under a belt. A soft cloth is enough, never an ultrasonic bath. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewelry heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

It is the most constant association given to it, and it promises no effect.

The icosahedron

Plato associated this solid with water in the Timaeus, one of the five regular polyhedra tied to the elements.

That is a fact of the history of philosophy, not a property of the stone.

Regular geometry

The idea that a regular shape carries balance runs through several unrelated traditions.

A widespread intuition, never demonstrated.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica, and each facet is one in miniature.

That is an archaeological fact, not a promise.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewelry replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweler.

Carefully shipped & easy returns

Every piece is prepared by hand, then carefully shipped within [2-4 business days] in protective packaging.

  • Free shipping over $47
  • [30] days to change your mind
  • Tracking number sent as soon as it ships

Find all the details on our Shipping & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before showering, swimming or working out.

In crystal practice, many people also like to cleanse and recharge their stone from time to time, with smoke, under moonlight, or on a cluster of quartz.

Handmade jewelry, made in France

Every piece is handcrafted in my workshop from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the workshop and my story.