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Gold Sheen Obsidian Daisy Ring

50,90 €

Gold sheen obsidian daisy ring, a corolla of beaded petals with the cabochon as its heart. The only one where the stone is no longer the subject.

Hallmarked silver 925 · Gold sheen obsidian · Corolla of twelve petals · Sizes 52 to 62 · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

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Description

A corolla of beaded petals surrounds the round gold sheen obsidian cabochon, which plays the part of the heart of the flower. It is the only one of the fifteen settings where the stone is no longer the subject but the central element of a larger motif.

The difference from the other flowered rings in the series is one of composition. Elsewhere the flowers sit on the shoulders and frame a stone that remains the subject; here the flower is the ring, and the cabochon is its heart. You are no longer looking at a decorated stone, you are looking at a daisy whose centre is black. The inversion is complete and it changes who the ring is for.

The choice of a round cabochon is not incidental: the heart of a flower is round, and an oval in the middle of a regular corolla would look permanently crooked. That is also why this setting is one of only two in the series to carry a round, along with the beaded crown model. The shape of the stone follows the motif. The other rings are here.

The reservation is the bulk of the corolla. The petals reach several millimetres beyond the cabochon on every side, which makes a wide head that catches gloves, pockets and knitted stitches. It is not a ring you slip on without thinking in the morning. The fine-band settings in the series are far easier to live with. The size guide saves a return.

Crystal lore ties obsidian to grounding, and gold sheen in particular to self-confidence. None of that is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Genuine gold sheen obsidian, round cabochon in a closed bezel at the heart of the corolla.
  • Sterling silver 925, beaded petals, hollows blackened by hand.
  • The only setting where the stone is the centre of a motif and not the subject.
  • The corolla overhangs and catches: it is not an everyday ring.

What to know before you wear it

Silver ring with a corolla of beaded petals, round gold sheen obsidian cabochon at the centreGold sheen obsidian daisy ring, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Gold sheen obsidian, volcanic glass, round cabochon
Metal
Sterling silver 925, S925 hallmark
Setting
Closed bezel at the centre of a corolla, no glue
Decoration
Twelve beaded petals, blackened hollows
Sizes
52 to 62 (inner circumference in mm)
Gender
Women
Brand
Bijoux Obsidienne

Camille in her workshop, setting an obsidian cabochon into a ring

Twelve petals, and not eleven

A corolla calls for an even number of petals, and preferably one divisible by four. The reason is optical: with an odd number there is no petal exactly opposite each other one, and the eye, which always looks for a symmetry, reads the flower as slightly crooked without being able to say why. Twelve works, eleven does not, and it has nothing to do with botany. A real daisy has any number of petals, a piece of jewellery cannot afford that.

This setting is in the catalogue because it is the furthest from the idea people have of obsidian jewellery. The stone is associated with protection, with the severe, with the dark; putting it at the heart of a flower is a deliberate counter, and it is the model that most surprises people who already know the shop. The other rings are here.

Twelve petals, never eleven. A real daisy does not care, a piece of jewellery does.

Obsidian does not mind water, but it shatters on impact. Take the ring off before DIY and sport. The hollows between the petals hold hand cream: a soft toothbrush and lukewarm water two or three times a year. Never polish. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

Worn on the hand, the stone stays far from that point, and tradition does not make it a condition.

The gold sheen

It is linked to self-confidence, by analogy with the light that seems to come out of the stone.

An image, not a property.

The daisy

A flower of the Victorian language of flowers, linked to simplicity, a dated and purely Western convention.

A fact about customs, not a property.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica.

That is an archaeological fact, not a promise.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is prepared by hand, then carefully dispatched within [2-4 working days] in protective packaging.

  • Free UK delivery on orders over £40
  • 14 days to change your mind (your right to cancel)
  • Tracking number sent as soon as it's dispatched

Orders are sent from France, so import charges may apply. All the details, timescales, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before showering, swimming or exercising.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my workshop from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the workshop and my story.