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Obsidian ring with a halo of zircons

50,90 €

Obsidian ring with a halo of zircons, a cabochon surrounded by bright stones and flanked by two baguettes. The only evening piece in the range.

Hallmarked silver 925 · Black obsidian · Synthetic zircons · Sizes 52 to 62 · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

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Description

An oval black obsidian cabochon, surrounded by a halo of round zircons and flanked by two baguettes. It is the only ring in the catalogue with a pavé surround, and it is the hardest assembly to get right with this stone.

A brilliant halo around a dark stone is a risky bet. Zircons send back a sharp, broken light; obsidian sends back a soft sheet. Put side by side without care, the zircons win, the central stone looks dead and the piece becomes a surround around a black hole. What saves this assembly is the ratio of sizes: the cabochon is a good deal larger than the sum of the zircons, and it takes back the lead.

The two side baguettes, those small rectangular stones set on either side, are not filler. They lengthen the head of the ring along the axis of the finger, which visibly slims the hand, whereas a halo on its own makes a round patch that shortens it. It is an old principle of jewellery making and it works. The other rings are here.

Two reservations. The zircons are synthetic stones, and I say so rather than calling them something else: they are zirconium oxides, not diamonds and not natural stones. And a pavé surround calls for a yearly check, because small grain-set stones get lost over the years. I replace them free of charge, but they have to be watched. The size guide saves a return.

Crystal lore ties obsidian to grounding. None of that is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Genuine black obsidian, oval cabochon in a closed bezel, no glue.
  • Halo of synthetic zircons and two side baguettes, grain set.
  • The baguettes lengthen the head along the axis of the finger and slim the hand.
  • A pavé is checked once a year: small stones get lost.

What to know before you wear it

Silver ring, oval black obsidian cabochon surrounded by a halo of zirconsObsidian ring with a halo of zircons, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Central stone
Black obsidian, volcanic glass, oval cabochon
Surround stones
Synthetic zircons, zirconium oxide
Metal
Sterling silver 925, S925 hallmark
Setting
Closed bezel at the centre, grain set for the surround
Sizes
52 to 62 (inner circumference in mm)
Gender
Women
Brand
Bijoux Obsidienne

Camille in her workshop, setting an obsidian cabochon into a ring

Why a halo almost always kills the stone

The trap of a halo around a dark stone is the height. If the zircons are set level with the table of the cabochon, they dominate it visually because they shine more for the same surface. They have to go two or three tenths lower, so that the cabochon stands slightly above: the eye then reads a central stone resting on a bed of light, and not a circle of light around an emptiness. Two tenths, and the whole assembly tips one way or the other.

This ring is in the catalogue because there was no evening piece in the range. All the others are daytime jewellery, plain or worked but never brilliant. This one is, and that is its only reason to exist. The other rings are here and the obsidian guide explains the stone.

The zircons go two tenths lower than the table of the cabochon. Level with it, they put it out.

Obsidian does not mind water, but it shatters on impact. Take the ring off before DIY and sport. Check the pavé once a year by running a fingernail over it: no stone should catch. Never an ultrasonic bath, the vibrations loosen the grains. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

Worn on the hand, the stone stays far from that point, and tradition does not make it a condition.

The halo

A surround of small stones around a larger one is an eighteenth-century assembly, called a cluster.

A fact of the history of jewellery, not a symbol.

Black and brilliant

Setting a matte stone against bright ones is a principle of composition.

A visual choice, with no meaning.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica.

That is an archaeological fact, not a promise.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is made by hand, then carefully posted within [2-4 business days] in protective packaging.

  • Free delivery Australia-wide over AU$79
  • 14 days to change your mind, my own promise, on top of your rights under the Australian Consumer Law
  • Tracking number sent as soon as it's posted

Orders are made and posted from France: allow 10 to 16 business days in transit to metro Australia, 12 to 20 to regional and remote addresses. Nothing extra to pay on delivery. All the details, timeframes, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before the shower, the beach, the pool or the gym.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my studio from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France, posted to Australia
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the studio and my story.