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Gold sheen obsidian beaded band ring

50,90 €

Gold sheen obsidian beaded band ring, a fine shank beaded over its whole circumference, underside included. The finest and lightest in the series.

Hallmarked silver 925 · Gold sheen obsidian · Beaded band, 2 mm · Sizes 52 to 62 · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

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Description

A fine band beaded over its whole circumference, topped by a round gold sheen obsidian cabochon ringed with beads. It is the finest and lightest of the fifteen settings in the series.

The beading runs around the entire band, including under the finger. That is not common: on most beaded rings on the market the pattern stops at the shoulders and the underside stays smooth, because nobody sees it and it saves work. Here it goes all the way round, and you feel it on the finger: the ring does not slide the same way, it grips the skin slightly and moves less.

The slenderness changes the use. A band two millimetres across stacks with other rings without adding bulk, can be worn on several fingers, and goes under a glove. The wide settings in the series do none of that. It is the ring in the series you keep on most easily from morning to evening. The other rings are here.

The reservation is the strength, and it holds for every fine silver band. Sterling silver is a soft metal, and a 2 mm shank deforms if you clench your fist hard on it or rest it on a hard surface while leaning. It does not break, it goes oval, and it has to be reshaped. I do that free of charge. Do not wear it to carry loads. The size guide saves a return.

Crystal lore ties obsidian to grounding, and gold sheen in particular to self-confidence. None of that is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Genuine gold sheen obsidian, round cabochon in a closed bezel, ringed with beads.
  • Sterling silver 925, fine band beaded over its whole circumference, underside included.
  • The finest in the series: it stacks and goes under a glove.
  • A 2 mm shank goes oval under strong pressure: take it off to carry loads.

What to know before you wear it

Ring with a fine band beaded all the way round, round gold sheen obsidian cabochon ringed with beadsGold sheen obsidian beaded band ring, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Gold sheen obsidian, volcanic glass, round cabochon
Metal
Sterling silver 925, S925 hallmark
Setting
Closed bezel ringed with beads, no glue
Band
About 2 mm, beaded over the whole circumference
Sizes
52 to 62 (inner circumference in mm)
Gender
Women
Brand
Bijoux Obsidienne

Camille in her workshop, setting an obsidian cabochon into a ring

Beading a band along its whole length

Beading a band all the way round raises a problem of joining that partial beading does not have. The beads have to come out as a whole number around the circumference, failing which the last and the first overlap or leave a gap, and that flaw shows exactly under the finger, where the thumb goes to pull the ring off. So the spacing of the beading is worked out from the size ordered, and it is not the same from a size 52 to a size 62. Each size has its own spacing.

This setting is in the catalogue because the other fourteen are rings that get noticed, and many people want a stone on their finger without wearing a piece of jewellery. Two millimetres of shank is the line between the two. The other rings are here.

The beads have to land exactly around the band. The spacing is not the same in 52 and in 62, each size has its own.

Obsidian does not mind water, but it shatters on impact. Take the ring off before DIY, sport and carrying loads. Do not polish the hollows between the beads: the black goes and the beading visually flattens out. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

Worn on the hand, the stone stays far from that point, and tradition does not make it a condition.

The gold sheen

It is linked to self-confidence, by analogy with the light that seems to come out of the stone.

An image, not a property.

The beading

A goldsmith's technique used since antiquity, found in Etruria as in Asia.

A technique, not a symbol.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica.

That is an archaeological fact, not a promise.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is made by hand, then carefully posted within [2-4 business days] in protective packaging.

  • Free delivery Australia-wide over AU$79
  • 14 days to change your mind, my own promise, on top of your rights under the Australian Consumer Law
  • Tracking number sent as soon as it's posted

Orders are made and posted from France: allow 10 to 16 business days in transit to metro Australia, 12 to 20 to regional and remote addresses. Nothing extra to pay on delivery. All the details, timeframes, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before the shower, the beach, the pool or the gym.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my studio from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France, posted to Australia
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the studio and my story.