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Steel chain and obsidian cone necklace

50,90 €

Steel chain and obsidian cone necklace, toggle clasp worn at the front. The clasp is not hidden at the nape, it is part of the design.

Genuine obsidian · Stainless steel Cuban link · Toggle clasp · About 45 cm · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

Description

A flat Cuban link chain in stainless steel, closed by a toggle bar worn at the front, with an obsidian cone hanging from that closure. The clasp is not hidden at the nape: it is part of the design.

The toggle clasp is a bar that passes through a ring and locks by its own weight. It is the oldest necklace closure still in use, and the only one with no spring, no hinge and no moving part. Nothing on it can break. The trade-off is that it comes undone if the necklace is pulled sharply upward, which is exactly what you want from a piece worn close to the neck.

The obsidian cone hangs under the bar, in the hollow of the collarbone. That is an unusual position: a classic pendant falls lower, on the sternum. Here the stone stays high and shows under an open collar, which makes it a daytime necklace rather than an evening piece. The other necklaces are here.

The reservation concerns the steel and the stone together. The Cuban chain is heavy and stiff, and the obsidian cone hangs from a simple ring: in a sudden movement it is the stone that comes knocking against the metal, not the other way round. Obsidian chips on impact, steel does not. Over several years of daily wear, the tip of the cone will end up showing micro-chips.

Crystal lore ties obsidian to grounding. None of that is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Flat Cuban link chain in stainless steel, which does not blacken and does not kink.
  • Toggle clasp worn at the front, with no spring or hinge: nothing on it can break.
  • Genuine obsidian cone, hanging high, in the hollow of the collarbone.
  • The stone knocks against the steel as you move: the tip will mark over the years.

What to know before you wear it

Necklace with a stainless steel Cuban link chain, obsidian cone hanging from the toggle claspSteel chain and obsidian cone necklace, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Black obsidian, volcanic glass, cut as a cone
Chain
Flat Cuban link in stainless steel
Clasp
Toggle bar, worn at the front
Length
About 45 cm
Gender
Unisex
Brand
Bijoux Obsidienne

Camille in her workshop, assembling an obsidian pendant

The toggle clasp, which shows instead of hiding

A toggle clasp holds by a proportion, not by a force. The bar must overhang the ring by at least a third of its length on each side, otherwise it pivots and comes out on its own at the first movement. Too long, and it no longer goes through the ring unless you present it perfectly straight, and the necklace becomes a nuisance to close. The gap between the two is about two millimetres, and that is the whole adjustment on this piece.

This necklace exists because a clasp hidden at the nape is a part you put up with. Bring it to the front and it becomes an element of the design, and you stop hunting for the catch blind. The other necklaces are here and the obsidian guide explains the stone.

Two millimetres separate a bar that comes out on its own from a bar you can no longer get through.

Obsidian and stainless steel do not mind water. Avoid letting the stone beat against the chain while running, and take the necklace off before sport. A soft cloth is enough, never an ultrasonic bath. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

Worn at the neck, the stone stays far from that point, and tradition does not make it a condition.

The cone

The conical shape pointing downward is a figure modern crystal lore associates with descent.

A recent convention, with no old support.

The toggle clasp

It is one of the oldest known closure systems, found on ancient jewellery.

A technical fact, not a symbol.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica.

That is an archaeological fact, not a promise.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is made by hand, then carefully posted within [2-4 business days] in protective packaging.

  • Free delivery Australia-wide over AU$79
  • 14 days to change your mind, my own promise, on top of your rights under the Australian Consumer Law
  • Tracking number sent as soon as it's posted

Orders are made and posted from France: allow 10 to 16 business days in transit to metro Australia, 12 to 20 to regional and remote addresses. Nothing extra to pay on delivery. All the details, timeframes, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before the shower, the beach, the pool or the gym.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my studio from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France, posted to Australia
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the studio and my story.