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Faceted obsidian cuff

50,90 €

Faceted obsidian cuff, some twenty plaques set edge to edge on two elastics. A solid three-quarter-inch band, not a strand of beads.

Genuine obsidian · Faceted plaques · Double drilling · About 2 oz · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

Description

Some twenty obsidian plaques with a domed, faceted face, set edge to edge on two parallel elastics. The result is not a strand of beads but a continuous band, covering three quarters of an inch of wrist.

Each plaque is cut separately: a flat back that sits against the skin, a domed face, and facets on the flanks. They are drilled twice, across the width, and it is that double drilling that keeps them from pivoting and makes the band possible. On a strand of beads every element turns; here nothing moves, and the cuff keeps its face forward all day.

The facets are not gratuitous decoration. On an entirely domed and polished surface, obsidian returns a single wide, uniform reflection, and a three-quarter-inch band becomes a black mirror that reads rather flat. The facets break that reflection into separate glints, which gives relief to the mass. It is the same reasoning as on a cut gemstone, applied to a volcanic glass. The other bracelets are here.

The reservation is weight and behaviour. A solid stone cuff comes to nearly two ounces, twice a 10 millimetre strand, and you feel it by the end of a day. Nor does it go under a fitted sleeve. And if one elastic gives, twenty plaques fall at once, where a simple strand loses a few. So I fit two separate elastics rather than one doubled over: if one lets go, the other holds the band long enough for you to notice.

Crystal lore ties obsidian to grounding. None of that is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Genuine black obsidian, some twenty faceted plaques set edge to edge.
  • Double drilling: the plaques do not pivot, the band keeps its face forward.
  • Two separate elastics, so that one breaking does not empty the cuff.
  • About 2 oz: the heaviest piece in the bracelet range.

What to know before you wear it

Obsidian cuff, faceted plaques set edge to edge on two elasticsFaceted obsidian cuff, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Black obsidian, volcanic glass
Shape
Plaques with a flat back, domed face and faceted flanks
Band width
About 2 cm
Wrist size
17 to 19 cm, elastic
Stringing
Two parallel elastics, double drilling, no clasp
Weight
About 60 g
Stone origin
Mexico
Gender
Unisex
Brand
Bijoux Obsidienne

Camille in her workshop, assembling a stone cuff

Faceting a glass without shattering it

Faceting obsidian has nothing to do with faceting a quartz. A glass has no cleavage plane, so it does not split along a preferred direction, but it flakes away in shells as soon as the wheel heats up or the angle of attack is too abrupt. Sharp edges are the critical point: a badly formed edge is not merely ugly, it cuts, and obsidian was used to make scalpels for that very reason. Every plaque therefore goes through an edge-softening step before assembly, and I check by running a thumb over it.

This model exists because a strand of beads, however large, remains a line. A cuff is a surface, and that is another object. It does not suit the same wrist: on a six inch circumference, three quarters of an inch of width looks enormous. The bead strands are here and the obsidian guide explains the material.

A badly formed obsidian edge does not merely displease, it cuts. You soften it, then you run a thumb over it.

Obsidian does not mind water, but a faceted plaque chips at the corner more easily than a round bead: avoid knocks against table corners and take the cuff off before sport. A soft cloth is enough, never an ultrasonic bath. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

It is the most constant association given to it, and it promises no effect.

The cuff

The wide rigid bracelet is an object of power in several ancient cultures, from Egypt to Mesopotamia.

A shared form, with meanings unrelated to one another.

The blade

The same blocks supplied the sharpest blades of the ancient world, finer than a steel scalpel.

That is why every edge is softened. A fact, not a symbol.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica, and a faceted cuff comes close to it.

That is an archaeological fact, not a promise.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is made by hand, then carefully posted within [2-4 business days] in protective packaging.

  • Free delivery Australia-wide over AU$79
  • 14 days to change your mind, my own promise, on top of your rights under the Australian Consumer Law
  • Tracking number sent as soon as it's posted

Orders are made and posted from France: allow 10 to 16 business days in transit to metro Australia, 12 to 20 to regional and remote addresses. Nothing extra to pay on delivery. All the details, timeframes, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before the shower, the beach, the pool or the gym.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my studio from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France, posted to Australia
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the studio and my story.