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Silver sheen obsidian bracelet 10 mm

48,90 €

Silver sheen obsidian bracelet 10 mm, about twenty beads all matched on the same axis. The grey veil sweeps the strand from end to end.

Real silver sheen obsidian · 10 mm beads · Braided elastic cord · Strung in France · 14-day returns

📏 Not sure of your size? Check the size guide

Description

About twenty silver sheen obsidian beads of 10 millimetres, every one sorted to light up along the same axis. When the hand turns, the grey veil sweeps the strand from end to end like a wave. It is the most demonstrative strand in the range.

The silver veil comes from very fine gas bubbles, laid in a single plane by the flowing lava. Being fine, they send back a cold grey light, where larger bubbles would give the copper of golden obsidian. Same rock, same volcano, two opposite colours according to bubble size. The obsidian varieties set out that family.

This strand does the opposite of the silver and black bracelet in the catalogue. There, every other bead is black to give the sheen an edge; here every bead carries the veil and all are oriented alike, which produces a continuous sweep instead of an alternation. The first reads close up, this one is seen from a distance. Both are here.

Weight and light are the two reservations. Ten millimetres over twenty beads comes to about an ounce, and you feel it all day. And silver sheen needs a direct source: in sunshine or under a lamp it is frank, under a diffuse ceiling light it stays grey. On a strand that is entirely silver sheen, that dependence on light shows more than on a mixed one.

Crystal lore ties obsidian to grounding and gives the silver sheen kind a role in self-reflection, by analogy with the mirror. None of that is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional from start to finish.

  • Real silver sheen obsidian, about twenty round 10 mm beads.
  • Every bead is oriented on the same axis: the veil sweeps the strand in one go.
  • The sheen needs direct light to come out frankly.
  • Hand-strung in France on braided elastic cord, no clasp.

What to know before you wear it

Silver sheen obsidian bracelet 10 mm, round beads with a metallic grey veilSilver sheen obsidian bracelet 10 mm, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Silver sheen obsidian, volcanic glass
Bead diameter
10 mm
Number of beads
About 19
Wrist size
17 to 19 cm, elastic
Stringing
Braided elastic cord, no clasp
Weight
About 30 g
Stone origin
Mexico
Gender
Unisex
Brand
Bijoux Obsidienne

Camille in her workshop, threading obsidian beads onto an elastic cord

Matching twenty beads on the same axis

Matching a whole strand is work of orientation, not of sorting. Each bead carries its veil in a single plane, fixed by the drilling, and you have to turn it on the thread until that plane lines up with its neighbour’s. You advance one bead at a time, and the twentieth still has to agree with the first once the strand is closed. When it does not fall right, you go back to the middle. A matched strand takes three times as long as one threaded at random.

This model exists for those who find golden obsidian too warm. Copper goes with golden skin and earthy clothes; cold grey goes with steel, denim, black. It is a question of wardrobe before it is a question of stone. The other bracelets are here and the obsidian guide explains the material.

The twentieth bead still has to agree with the first. That is where the strand is won or started again.

Obsidian does not mind water, but it chips on impact and scratches against hard metal. Take the bracelet off before exercising and do not store it with keys. A soft cloth is enough, never an ultrasonic bath. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. I gather it here because I am often asked, and I keep it apart from the rest of the page for one simple reason: none of it is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

It is the most constant association given to it, and it promises no effect.

The silver sheen

Its cold glint is traditionally likened to the mirror and to looking back at oneself.

A visual analogy, not a measurable property.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica, and the silver sheen kind comes closest to it.

That is an archaeological fact, not a promise.

Cooled fire

Born of lava frozen in a few hours, obsidian is likened to whatever stops short.

A sound geological image turned into a symbol.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is made by hand, then carefully posted within [2-4 business days] in protective packaging.

  • Free delivery Australia-wide over AU$79
  • 14 days to change your mind, my own promise, on top of your rights under the Australian Consumer Law
  • Tracking number sent as soon as it's posted

Orders are made and posted from France: allow 10 to 16 business days in transit to metro Australia, 12 to 20 to regional and remote addresses. Nothing extra to pay on delivery. All the details, timeframes, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before the shower, the beach, the pool or the gym.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my studio from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France, posted to Australia
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the studio and my story.