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Guan gong black obsidian pendant

55,90 €

Guan Gong black obsidian pendant, carved in relief in an opaque stone. The same figure exists in the catalogue in translucent smoky obsidian.

Opaque black obsidian · Carved relief · About 50 mm · Chain of obsidian beads · Made in France · 14-day returns

📏 Not sure of your size? Check the size guide

Description

Guan Gong carved in relief in a rectangular plaque of black obsidian, leaning on his blade, a dragon coiled behind him. The stone is opaque, and that is what separates this piece from its twin in smoky obsidian.

Guan Gong was a general of the late Han, who died in 220, deified over the centuries and become one of the most present figures in the Chinese popular pantheon. He is recognized by his face, his long beard and the blade he holds, the guandao. His veneration runs through temples, shops and police stations in Hong Kong. I describe the figure and its history, I do not interpret it: that belongs to a living tradition.

The catalogue already sells this character, carved in a smoky obsidian. The difference is not cosmetic. Smoky obsidian is translucent: light passes through it, the relief reads by transparency, and the piece looks light. Black obsidian is opaque: the relief reads only through shadow, and the piece looks massive. Same figure, two objects that do not address the same people. Both are here.

The reservation is the price, and I would rather explain it. This version costs twice what the smoky obsidian one does, for two reasons: the plaque is larger, and an opaque black obsidian forgives no flaw in the carving where the translucency of the smoky one masks part of it. The reject rate is higher, and so is the finishing time. It is not a move upmarket, it is a real cost.

Crystal lore ties obsidian to grounding. Guan Gong belongs, for his part, to religious devotion and not to crystal lore. None of the above is proven, and no piece of jewellery heals anything. I have gathered separately what tradition attributes to obsidian, in the conditional.

  • Genuine opaque black obsidian, rectangular plaque with carved relief.
  • The same figure exists in the catalogue in translucent smoky obsidian: two opposite readings.
  • An opaque stone masks no flaw in the carving, hence a higher reject rate.
  • A chain of obsidian beads, not a metal chain.

What to know before you wear it

Rectangular black obsidian pendant, Guan Gong carved in reliefGuan Gong black obsidian pendant, close-up on the stoneRough block of black obsidian on a marble stand

The specifications

Stone
Opaque black obsidian, volcanic glass
Shape
Rectangular plaque, carved relief
Dimensions
About 50 x 35 mm
Setting
None, stone drilled and knotted
Chain
Obsidian beads strung on cord
Gender
Unisex
Brand
Bijoux Obsidienne

Camille in her workshop, mounting an obsidian pendant on a cord

The same figure on two stones, two different objects

Carving an opaque obsidian and a translucent one do not call for the same work, and the difference always comes as a surprise. On a translucent stone, the light passing through softens the shadows, and a badly profiled hollow goes unnoticed. On an opaque stone, all the relief reads through cast shadow, and a hollow whose floor is not clean gives a dirty shadow that jumps out. So the floor of every hollow has to be gone over again, which you do not do on the smoky one. That is where the extra time goes.

This version is in the catalogue because people asked me for the figure in frank black, and the smoky one could not give it: it is a translucent stone, it will never be black. Two stones, two objects, and both were needed. Both are here.

On a translucent stone, a badly profiled hollow passes. On an opaque one, it gives a dirty shadow you see at once.

Obsidian does not mind water. The hollows of the relief hold dust: a soft brush under lukewarm water two or three times a year brings the contrast back. Never an ultrasonic bath. Cleaning an obsidian piece covers the rest.

What follows belongs to the traditions and beliefs attached to this stone. Guan Gong belongs, for his part, to a living devotion: I place him without interpreting him. Nothing that follows is proven, and no piece of jewellery heals anything.

Root Chakra (Muladhara)

Traditional correspondences tie obsidian to the first chakra, the one of grounding and of contact with the floor.

It is the most constant association given to it, and it promises no effect.

Guan Gong

A general of the late Han, who died in 220, deified over the centuries and venerated in the Chinese popular pantheon.

A fact of history, on which the piece does not comment.

The guandao

The blade he holds bears his name and sets him apart from the other figures of the pantheon.

An iconographic attribute, not a symbol of its own.

The mirror

Polished, obsidian served as a mirror in pre-Columbian Mesoamerica.

That is an archaeological fact, unrelated to the figure carved here.

Traditions and beliefs, nothing more. None of these associations is medical advice, and no piece of jewellery replaces treatment or examination. If you are under treatment, pregnant or in a course of care, speak to your doctor rather than to your jeweller.

Careful delivery & easy returns

Every piece is made by hand, then carefully posted within [2-4 business days] in protective packaging.

  • Free delivery Australia-wide over AU$79
  • 14 days to change your mind, my own promise, on top of your rights under the Australian Consumer Law
  • Tracking number sent as soon as it's posted

Orders are made and posted from France: allow 10 to 16 business days in transit to metro Australia, 12 to 20 to regional and remote addresses. Nothing extra to pay on delivery. All the details, timeframes, destinations, exchanges, refunds, are on the Delivery & returns page.

Caring for your obsidian

To keep your piece looking its best, a soft cloth is usually all you need. Avoid salt, harsh products and knocks, and take it off before the shower, the beach, the pool or the gym.

In crystal healing, many people also like to cleanse and charge their stone from time to time, with smoke, under moonlight, or on a quartz cluster.

Handmade jewellery, made in France

Every piece is handcrafted in my studio from natural stones chosen one by one. No mass production: small batches, and plenty of one-of-a-kind pieces.

  • Handmade in France, posted to Australia
  • Natural stones, carefully selected
  • Minimal packaging, pared back to the essentials

Want to know more about how I work? Discover the studio and my story.